Categories
Books Digital Culture Media

Cryptonomicon via tag cloud

Two tag cloud posts in a row is a bit much, but I had the idea, so I went with it. This is an infographic of the word frequency of the text of the novel Cryptonomicon by Neal Stephenson.

Cryptonomicon

It’s a really interesting way to visualize texts (as I’ve pointed out before). So let’s see if I can start a meme. Doesn’t have to be a new book, you can pick one from Project Gutenberg…there certainly are enough good books there. Pick your favorite (or one of your favorites), and post it up.

I’m tagging: Iris, Amanda and Tombrarian.

Categories
Books Library Issues libraryblogging Media Personal

Library Blogging

IMG_4271.JPG

It’s here! It’s really here! For more news about the book, and general updates and such, visit the blog for the book: Library Blogging. I’ll talk more after I’ve had a chance to review it again, but so far it looks great.

For those going to ALA, Linworth Publishing is booth #2553, if you want to stop by and pick up a copy of the book.

Categories
Books Digital Culture Media Technology

Kindle in flames?

Two days before I received my Kindle, Roy Tennant published an article on his Digital Libraries blog entitled “Prediction: The Kindle goes down in flames“. I normally agree with Roy on lots of things, but this is a topic where I’m going to pick on him a little.

Let’s rewind to October of 2001, where a plucky little company named Apple released a strange new product called an iPod. With 5 gigabytes of storage, this pocket-sized marvel cost….$399. What did it do? It played music. That’s all it did. Moreover, it only connected to your computer via an esoteric plug called “Firewire” that 90% of the personal computers in the world didn’t have.

It took Apple 3 financial quarters to sell over 200,000 of them, and it wasn’t until 2004 and the cost per gigabyte dropped under $20/GB and the iPod was on it’s third generation that sales really took off.

The Kindle, for all the publicity it has garnered, is only 8 months old. Is it the perfect reading device? I’m not sure yet. I’ve been consuming ebooks for years, beginning with reading them on my Handspring Visor Deluxe in mid-2000. I’ve read them on cell phones, computer screens, and other PDA’s. And I can say without any reservation that after 24 hours with the Kindle that it is a completely new and better reading experience.

The advantages for the Kindle are twofold: a device customized for reading makes reading easier, and the device comes from Amazon. The Kindle is great for reading, not suffering from the issues that, for example, the iPhone might…primarily the issue that an LCD screen just isn’t very good for reading in any form of bright light. The device is driven by Amazon, who has the reach and power in the publishing industry to get books for the device (take a look at the difference between any other ebook provider’s numbers and Amazon’s). Amazon also has the infrastructure to support immediate electronic delivery of any ebook they carry, directly to the device. Anyone else doing that?

The Kindle does several things (it does not, contrary to Tennant’s assertion “only read books”). It allows for reading, annotating, bookmarking, dictionary lookup, and other common reading chores. It also comes with permanent free cellular internet service. Amazon Whispernet gives you, while not a full web experience, a browser and access to the ‘net anywhere you can get a Sprint cell signal. For no additional cost past the cost of the device. Seriously, how much is that worth over a year?

With all that said, I’ve only had the Kindle for less than 48 hours. I wasn’t going to buy one so early in the development cycle, but do I regret having one now? Hell no. It’s a marvelous piece of technology for readers, and I fully expect that in a couple of years I’ll still be toting it around from conference to conference in lieu of a few pounds worth of wood pulp.

If anyone wants to take a look at the Kindle, find me at ALA Annual, and I’ll happily let you play with it. Just holding it, seeing the screen, and seeing how much thought went into the design will make a difference, I promise.

EDIT

Steve Lawson, in the comments, pointed out something that I wanted to address. Tim O’Reilly, in a comment on Roy’s post, says:

“I also struggle with Amazon’s DRM and sole-source approach, which seems to me to be a flawed copy of Apple’s iPod strategy, missing not only Apple’s brilliant design but also the positive externality that consumers could easily add their own music collection to the device by ripping mp3s.”

I am no fan of DRM, and I admit that it gives me pause regarding the Kindle. That said, the “sole-source” approach isn’t true…the Kindle happily ingests any .mobi file you want, and there are plenty of places sourcing native Kindle files of public domain books. First thing I did was put a few dozen of my favorite classics on there, for free. As well, if I had an easy way to digitize the books I already own (in the same rough manner of the digitization of my CDs) I would be doing it, and adding them. The issue there isn’t with the Kindle, it’s that there is no easy digitization of dead trees.

Categories
Books Media Personal

It’s coming…

Very soon, you too can own this very lovely book. Proofs are done, galleys are done, everything on our end is done, done, and done. We’re officially at the printers, folks!

Library Blogging is suitable as a gift for any occasion, and you can pre-order now (pre-order? No, just order, I think) at Amazon…go here and order! Or just wait until I have dozens of copies that I can’t possibly get rid of, and offer me a couple of bucks. Your choice.

Categories
Books Media

Snow Crash

Betsy surprised me a few days ago with this, which she claims is either a late birthday or early father’s day present: a signed, numbered, limited edition of Snow Crash by Neal Stephenson.IMG_3153.JPG

It’s put out by Subterranean Press, and is gorgeous. Subterranean is a press that specialized in high quality printings of limited edition fantasy, scifi, and horror…I want to own nearly everything they print.

But for now, I will just stare and covet my copy of my preciou….I mean, Snow Crash.

Categories
Books Library Issues Media

Britannica Webshare

The old standard for the Encyclopedia, the Encyclopaedia Britannica, has just launched a new service called Britannica Webshare that is designed to pull the aging reference work into the 21st Century. It also proves the argument put forth by Chris Anderson in his article (and upcoming book) Free.

The central idea of Webshare is that Britannica is giving away access to its online content for free, by giving away subscriptions to its paywall-side service. But not just to anyone, no, no. They are giving a $0 subscription for one year to “Anyone who publishes regularly on the Internet—bloggers, webmaster, and writers who publish on the Web…”. You have to “apply” for the access, which implies some sort of winnowing of applications, although I applied and received an email with a login code within an hour. This code is a sort of coupon that gives you one year of free access to Britannica online, although you do have to fill out the normal application information for Britannica after you’ve already applied for the free access…a sloppy method of handling the process. Even better, the Terms of Service that you must agree to for the account includes things like:

Use of Content: You may display, print or download content on the Services only for your personal, non-commercial use, provided you do not remove or alter any copyright, trademark, service mark or other proprietary notices or legends. You may not publish, distribute, retransmit, sell or provide access to the content on the Services, except as permitted under applicable law and as described in these Terms of Use.

So even though the free account is for the purposes of content redistribution by blogs, in an attempt to gain mindshare on the ‘net against Wikipedia (please, we all know that’s what’s going on)…they haven’t changed the terms of service which would prohibit any blogger that makes any money from his or her blog (got ads? No Britannica for you!) from even using the service in the first place. I’m sure this is an “oversight” and that we’ll see some form of correction of this, but someone should have pointed it out in the first place.

Or worse, they really do mean it, and this is only for bloggers who don’t have any attempts at monetization going on. This blog is ad-free for now, but if I ever chose to use ads I certainly wouldn’t want to have to comb back through my blog to remove Britannica content from it. Oh, but you say “I’ll not put ads on my blog, so bully for me…I’ll use Britannica for all my encyclopedic blog entries.” The next paragraph in the Terms of Service says:

If you want to post, publish, or use content from (or contained within) the Services on your Web site or in any other Internet activity, you will need permission from Britannica, even though your Web site or Internet activity is free of charge.

Oh. Well then.

Which is it, Britannica? Do you want to push your product across the web via free access, or do you want us bound by your Terms of Service? Can’t have it both ways.

There’s also the tip-o-the-hat to Web 2.0 functionality with embeddable widgets for Britannica content, but the widgets are for things that Britannica gives you, not created by users. That is, they have pre-packaged widgets for a handful of subject areas, but I can’t go in and create my own. Not very 2.0, Brit.

In all, this is the right direction for Britannica to be going if they hope to ever be relevant in the 21st century, but they haven’t gone far enough. You need some serious added value at this point to compete. My suggestions: Go free for public access, with ads for revenue generation; Go paid for institutional access and make it worth their $$ by building tools to make it easy for librarians and such to make patrons lives easier. Widgets for use in Course Management Systems, subject page building built in to the site, and customizable RSS feeds that can be pulled by people into their own systems.

Categories
Books Library Issues libraryblogging Media

Library Blogging Tag Cloud

Library BloggingHere is a tag cloud for Library Blogging, the upcoming book from myself and Karen Coombs…this is the top 100 terms, ignoring common English words. If you’re wondering what the book is about, here’s a good sampling:

created at TagCrowd.com

Categories
Legal Issues Media MPOW Music Technology

iTunes and Libraries question

In thinking about Michael Sauers recent brilliant post on cataloging Creative Commons works, I’m considering setting up an iTunes instance on our Student network in MPOW. On that system, we could load…well, that’s the crux of this post. Long time readers of this blog know my stance on copyright, and that I keep up with the latest issues, especially vis a vis digital copyright. I could, at the very least, load CC licensed music on this system. But what else?

So, I ask you, blogosphere: What can I legally load on that iTunes instance? It would be openly shared, streamable to anyone connected to our student network…but, as anyone who has used iTunes knows, not downloadable. Can I load the majority of the library music collection on that machine? Why not? If it is legal for me as a private citizen to rip my purchased music to digital form (yes, I realize that not everyone thinks this is legal, but it is the current position held by most copyright thinkers), then why would it not be legal for “me” as a library? Once ripped, can it possibly be illegal for me to use functionality that iTunes has built into it?

Is anyone out there doing this? It would mean that every student could stream any of our music collection from any computer with iTunes as long as they were connected to our network…which would, of course, be any computer in the library (or their own computer).

Once more, oh blogosphere, I ask you: what’s wrong with this idea?

Categories
Books Digital Culture Library Issues Media Music Technology

The new information economy

Over the course of the last 20 years, there has been a radical shift in the economies of information. We’ve moved from a world in which information was plentiful but distributed and difficult to find to a world where information is even more plentiful, but ubiquitous and easy to find. Libraries are suffering now as a result of their inability of unwillingness to change based on the new method of information indexing, exchange, and archival.

Libraries were a central part of the public sphere because of that information imbalance. Most libraries have moved to a new model that emphasizes access and comfort instead of being the storehouse of knowledge they once were. Access is something that libraries have on their side, because information, in defiance of the normal rules of supply and demand, still insists on being expensive.

Prepare for another shift, because the next 5-10 years is going to change the rules again.

Chris Anderson, in the latest Wired magazine, outlines the next information revolution: Free.

The rise of “freeconomics” is being driven by the underlying technologies that power the Web. Just as Moore’s law dictates that a unit of processing power halves in price every 18 months, the price of bandwidth and storage is dropping even faster. Which is to say, the trend lines that determine the cost of doing business online all point the same way: to zero.

Anderson outlines his argument in the context of business, but his points really show us that the nominal cost of information delivery is the core of the revolution. Of course, the fact that the delivery is free does not immediately mean that the information being delivered is free…that change arises from more traditional competitive pressure. What are traditional information services like books, movies, and television competing with these days? They are competing with free, easily available, highly portable, and in nearly every way more useful unauthorized versions of themselves.

When customers look at the following options, what do you think they choose?

Buying TV shows on iTunes, where they can watch them on their authorized computer and iPods, but not on their Zune or PSP or anywhere else they might want OR downloading a .torrent of their favorite TV show that is higher in quality than the iTunes download that they can watch anywhere they want.

Buying an audiobook from Audible, which has limited playability on only approved devices, or grabbing a P2P copy of that audiobook with no limitations (and no price).

Reading a book on Harper-Collins website, embedded in your browser is one option. Another is the Tor model, where once a week they are providing a free book, in multiple formats (pdf, html, mobi) for you to do with as you will. Move it to an ebook reader. Read it on your computer. Put it on your cellphone. Another option is the library.

It’s obvious that things that are free have an immediate advantage, and libraries have been free for a very long time in the US. But even free vs free has its calculus. If we look at the above examples, it’s very important for libraries to realize that they aren’t competing with iTunes and Audible. They are competing with .torrents and other P2P technologies that disintermediate the information distribution process.

But even free has choices: One example is Hulu, the beta site for NBC/Fox/etc. They pulled their shows from YouTube, citing copyright violations, and launched Hulu, where they can control the message and availability. Then there is OpenHulu, a site that scrapes Hulu and provides the ability to watch the same shows with no login or account creation. Yet another choice is the aforementioned Torrent or other P2P distribution, where there are no commercials, no requirement to stream instead of download, and the ability to watch them on the device of your choice. The advantage of Hulu and OpenHulu over torrenting is instant gratification. Which wins?

So when there are two freely available sources for information, what drives choice? Lots of different aspects of the interaction between the patron and the information make the difference. Ease of use. Availability. Speed. Quality. Brand recognition. Marketing.

Anderson points out that free is the future of commerce, and I absolutely see it as the future of media and information generally. How do libraries then compete in a world where their major advantage is completely nullified? What do we bring to the new information economy, because we need to be planning and implementing now to have any hope of competition.

I think I know some of the ways we compete, but that’s another post. What do you think we can do to stay relevant?

Categories
Media

2008 State of the Union as Tag Cloud

Last year’s 2007 State of the Union Tag Cloud was such a hit, I decided to follow up again this year. A few major differences: Congress is mentioned a lot more this year, while health and oil don’t show up at all. This year’s address looks more active…instead of “fight” we get “fighting”. Overall, the themes are still easily picked out: “terrorists” still play a major part in the speech, and we get “empower” and “hope” and “trust” as themes.

created at TagCrowd.com