Author: griffey

Jason Griffey is the Director of Strategic Initiatives at NISO, where he works to identify new areas of the information ecosystem where standards expertise is useful and needed. Prior to joining NISO in 2019, Jason ran his own technology consulting company for libraries, has been both an Affiliate at metaLAB and a Fellow and Affiliate at the Berkman Klein Center for Internet & Society at Harvard University, and was an academic librarian in roles ranging from reference and instruction to Head of IT at the University of TN at Chattanooga.

Jason has written extensively on technology and libraries, including multiple books and a series of full-periodical issues on technology topics, most recently AI & Machine Learning in Libraries and Library Spaces and Smart Buildings: Technology, Metrics, and Iterative Design from 2018. His newest book, co-authored with Jeffery Pomerantz, will be published by MIT Press in 2024.

He has spoken internationally on topics such as artificial intelligence & machine learning, the future of technology and libraries, decentralization and the Blockchain, privacy, copyright, and intellectual property. A full list of his publications and presentations can be found on his CV.
He is one of eight winners of the Knight Foundation News Challenge for Libraries for the Measure the Future project (http://measurethefuture.net), an open hardware project designed to provide actionable use metrics for library spaces. He is also the creator and director of The LibraryBox Project (http://librarybox.us), an open source portable digital file distribution system.

Jason can be stalked obsessively online, and spends his free time with his daughter Eliza, reading, obsessing over gadgets, and preparing for the inevitable zombie uprising.

Categories
ALA BIGWIG Technology

BIGWIG Social Software Showcase 2009

It’s hard to believe that it’s already time to start the planning for the BIGWIG Social Software Showcase 2009, but indeed it is! We’re going to be swapping up the format just a little bit this year, but the thing that isn’t changing is that we want the library community to tell us what they want to hear about. For those who may not have attended the SSS over the last couple of years, here’s how it works:

Step 1: We put out an open call for topics to the library world. You tell us the topics you want to hear more about.

Step 2: We find experts on those topics who are willing to participate in the Showcase.

Step 3: Those experts prepare a web-based presentation on their topic, and put it up sometime before ALA Annual 2009.

Step 4: At Annual 2009, those same experts will attend the Showcase and will discuss their topic, answer questions, tapdance, and otherwise entertain and educate. The format is slightly different every year, but the Showcase at Annual 2009 will be fun, educational, frantic, interesting, and guaranteed different than any program you’ve ever attended at an ALA Conference.

Step 5: After ALA, the conversation will continue online, on YourBIGWIG and other places.

Come join us for one of the most interesting presentations you’ll ever see, and more importantly, help us put it together! The “social” in “Social Software Showcase” isn’t just about the tools, but about the process as well. Be a part!

Categories
Books Digital Culture Media Personal Technology

CluetrainPlus10 – Thesis 17

Companies that assume online markets are the same markets that used to watch their ads on television are kidding themselves.

As many will probably say about The Cluetrain Manifesto, it’s almost scary how precient it was. To put it into perspective, when the authors were writing Cluetrain, Google had less than a dozen employees and has just moved out of a garage. The word “blog” had yet to be used to describe a chronological website. Napster hadn’t shattered the media industry yet. And statistics put the number of people on the Internet at just about 150 million, or around 10% of the current number.

Christopher Locke, Rick Levine, Doc Searls, and David Weinberger put together an amazing set of principles that are even more relevant today than they were 10 years ago.  The sad part about Thesis 17, in particular, is that companies haven’t yet learned this lesson. Some of them are trying, with standouts like Zappos. But far too many companies are failing to see the benefits of participatory marketing and extreme customer service.

The market is no longer passive. Almost no one under the age of 35 these days interacts with products in the way the older generation did…we expect to be involved in our consumption, connected to it. We ask friends, we poll our social networks, we take recommendations of the people we know very seriously. We have to love both the object and the process or we just don’t buy. And loving means becoming involved, knowing more, interacting with the makers, asking questions, and otherwise being active.

We want a relationship with our products, and producers who try to feed us advertising may be ok short-term, but the days of the passive are over. The new market is fragmented and participatory, and content producers will have to adjust or die. Making a better product isn’t enough. The companies that will thrive in the coming years are the ones that understand and cultivate the one-to-one relationships with their customers and their potential customers.

This post is a part of the larger CluetrainPlus10 project. Follow other reflections on the Cluetrain there!

Categories
ALA Books Media Personal Technology

Kindle 2 on Techsource

Just a note for those that might have missed it…I’m one part of a three part post over at TechSource on the Kindle 2 and libraries. I’m pointing it out mainly because of the fact that I did the very first, I think, video for TechSource, showing off the Kindle 2’s Text-to-Speech feature. Go take a look, and let me know how you think it came out.

Categories
Media Personal

New TV?

I asked on Twitter, but thought I’d ping the brains of all 3 of the people that read me here. I’m shortly in the market for a new TV, finally upgrading to HDTV after our 37″ Toshiba of a decade or so is losing it’s picture.

So: who’s bought an LCD HDTV in the last few months that they really like, and WHERE did you buy it? I’ve gotten two recommendations for the Vizio 42″ LCD, but so far I’ve only found it for sale at one place online, Target. Love to find it somewhere with free shipping…

So: What TV do you have that you love, and where did you procure it? Under $1000, please, and 40-42 inch or so LCD. 1080p preferred, but 720 acceptable if there’s a cost/savings analysis there that makes sense.

Categories
Personal

Joss Whedon on Humanism

I felt exactly the way that Joss did during Obama’s Inauguration…it was a historic moment for the President of the United States to recognize the huge numbers of people in the country that are not religious.

Categories
Personal Technology

Gmail hack

Not sure how many people know about this gmail hack, but it’s come in handy for me recently, so I thought I’d throw it out. Suppose you have an account on a service like Twitter, but now need to sign up for a different username, or just want one account for business and one for personal use. Twitter (and other services) won’t let you use an email that is already in their system to sign up for a new account.

Here’s where the gmail hack comes in. Gmail has one feature and one bug that allows you go get around having to have a secondary email address. The first is that Gmail allows you to create an infinite number of + aliases for your gmail account, in the format:

griffey+TEXTHERE@gmail.com

You can use any text at all after the plus sign, and gmail will ignore it completely for the purposes of delivering the email to you, but WILL let you filter and search on it. So I could set up a second twitter account called fakegriffey, and give it the email address griffey+fakegriffey@gmail.com, and Twitter will let me, since that isnt in their database. Gmail will happily deliver it to my griffey@gmail account, and all is well.

The other hack is that Gmail completely ignores periods in any account name for delivering email. griffey is the same as gri.ffey is the same as griff.ey is the same as g.r.i.f.f.e.y. By giving Twitter some variation, you can get around their email limit and still keep your email organized.

Hope this is useful to anyone who didn’t know about it!

Categories
Digital Culture Media Music

Wisdom from Reznor

Trent Reznor, of Nine Inch Nails, recently said this in a Wired interview:

“I’ve said it before and I’ll say it again: I don’t think music should be free,” Reznor says. “But the climate is such that it’s impossible for me to change that, because the record labels have established a sense of mistrust. So everything we’ve tried to do has been from the point of view of, ‘What would I want if I were a fan? How would I want to be treated?’ Now let’s work back from that. Let’s find a way for that to make sense and monetize it.”

How’s that for a customer service mantra? Try that for your library: What would you want, if you were a patron? How would you want to be treated? Work back from that, find a way for that to make sense.

Categories
Books Legal Issues Library Issues Media Technology

Ebooks, copyright, and the University of Virginia

I’m in the middle of writing a book about Mobile Technologies and Libraries, and am researching libraries providing mobile-specific services of all sorts. I came across the University of Virginia’s Ebook Library, and decided to take a look at what they are offering. It’s a very old ebook collection, with the original Etext division starting in 1992. Here’s the part that made me scratch my head…it’s in their Access and Conditions of Use:

While many of these items are made publicly-accessible, they are not all public domain — the vast majority of the images, and a number of the texts, including all of those from the University of Virginia Special Collections Department, are copyrighted to the University of Virginia Library, for example, and a number of other texts are still copyrighted to their original print publishers and made available here with permission.

I have no qualms with the texts that are copyrighted by their original publishers, and that UVA got permission to use. My eyebrows raise at the bit about “including all those from the University of Virginia Special Collections Department, are copyrighted to the University of Virginia Library…”

Really?

I had my suspicions here…it’s not like the UVA Special Collections Department are writing books, right? After look around, I found this text: Po’ Sandy by Charles W. Chestnutt. Published in 1888 in the Atlantic Monthly in New York, it is clearly in the public domain in the United States. But there it is, in the front matter:

Copyright 1999, by the Rector and Visitors of the University of Virginia

Looking around just a bit, it looks like this shows up on all sorts of texts that UVA digitized. My favorite is The Autobiography of Benjamin Franklin, completed in 1788 by Franklin but the particular version republished by UVA was published in 1909 by P. F. Collier & Son Company in New York. Also, without any doubt, in the Public Domain in the US. It also has the note:

Copyright 1999, by the Rector and Visitors of the University of Virginia

What gives UVA the right to claim copyright on these texts? They couldn’t have legally digitized them if they weren’t in the Public Domain at the time of their digitization, and changing the form of something doesn’t give you the right to claim a copyright, especially on the bits that make the work up. Even stranger, they aren’t just claiming copyright, but including a EULA!

By their use of these ebooks, texts and images, users agree to follow these conditions of use:

  • These ebooks, texts and images may not be used for any commercial purpose without permission from the Electronic Text Center.
  • These ebooks, texts and images may not be re-published in print or electronic form without permission from the Electronic Text Center. However, educators are welcome to print out items and hand them to their students.
  • Users are not permitted to download our ebooks, texts, and images in order to mount them on their own servers for public use or for use by a set of subscribers. Individuals and institutions can, of course, make a link to the copies at UVa, subject to our conditions of use.

Really? Is UVA asserting rights here that they just do not have? Not permitted to republish? Only if there is a copyright concern…which I think that UVA is asserting incorrectly here. It’s possible that there is some piece of copyright law that they are leaning on for these claims, but on the face of it, this seems like over reaching. Can anyone explain to me how they could possible have legitimate copyright claims on things that they didn’t create and are beyond the time limit for copyright protection in the US?

Categories
Gaming

Master Feed for CiL2009

So I’ve tried to throw together a “master feed” for cil2009, which includes Twitter searches for both the and #cil009 hashtags, a flickr search for the tag cil2009, a Google Blog search for the same tag, and a Slideshare RSS for both the Computers in Libraries 2009 group and the overall tag. This should be a pretty good summary of the happenings, but if anyone notices something I forgot, leave it in the comments and I’ll add it to the Pipe.

The Pipe should be publicly available here, and this should be the RSS feed URL. My suggestion is to go to the Pipe page to find what you want, though, cause there’s a ton of ways you can get the info: as PHP, or even results by email or phone.

The below is an example of the embed for the Pipe. Hope this is useful for someone!

Categories
Personal Technology

TechSource Post: Saving Your Digital Life

Just put a new post up over at ALA TechSource: Saving Your Digital Life. Here’s a blurb:

I have, basically, three kinds of data that I’m worried about protecting in some way: working files, files that are important but replaceable, and files that I can’t afford to lose at all. Working files are just that: files that I’m currently working on for whatever reason. Might be a photo I’m editing, or a document, or an MP3 that I need to move to another computer…anything that requires action. Files that are important, but replaceable, are things that make my life easier if they are in digital form, mostly media. DVDs I’ve purchased and CDs I own have all been digitized, because I want to be able to watch them when I want and not when I remember to have a disk of plastic with me. I also want to be able to move them to my iPhone or other portable media player. If I lose the digital, it’s ok, because I can just re-digitize them, but I really, really don’t want to have to do that. And finally, there are the files that I just can’t lose for any reason. Things like tax returns, photos of my daughter, receipts, and other digital items that need to be safe even if there’s a natural disaster.

So how do I handle all of this? With one piece of hardware, a few pieces of software, and broadband.

Go read the whole thing if you’re interested in how I handle MY digital life.