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3D Printing

Carbon3D Printer Analysis

This morning, a new 3D printing company (Carbon3D) won the marketing lottery, by appearing in a story in the Washington Post, and then being featured pretty much everywhere possible online. They were tweeted hundreds of times.

While I trust that they really are doing something different, the overall technology isn’t new…it is a variation on stereolithography,  which predates fused deposition modeling (what most library 3d printers are using) as a technology. It’s not even the first consumer level stereolithographic printer! The Form 1 (http://formlabs.com/products/form-1-plus/) has been out for a couple of years now, and at least one library (Darien) has one in operation.

In order to figure out what it was that they were doing differently, I had to read their paper that was published yesterday in Science. Unsurprisingly, WaPo got a lot of the tech wrong, or at the very least wrote it in such a way that it is very confused. Take this section:

“To create an object, CLIP projects specific bursts of light and oxygen. Light hardens the resin, and oxygen keeps it from hardening. By controlling light and oxygen exposure in tandem, intricate shapes and latices can be made in one piece instead of the many layers of material that usually make up a 3D printed object.”

“Bursts of oxygen”? You can’t “project” oxygen into a liquid like you can a laser. And “instead of the many layers” is also raising red flags. There may not be distinct layers in the same way as FDM printing, but there must be some form of progressive building.

What is actually going on is that they are, indeed, using a UV projector to selectively harden a photosensitive resin. What is different about their approach is that they are projecting through a membrane that is selectively oxygen permeable, which allows for a “dead zone” of resin that can’t harden (due to the oxygen level), above which the UV sensitivity kicks in and the resin hardens. They call this process “continuous liquid interface production technology” or CLIP.

The paper doesn’t say it outright, but knowing the technology, I’m guessing that their hardening process is a continuous build. Rather than a laser-based traditional resin printer, they are using a projector, which I can imagine is more like a video, continuously painting the surface to be hardened. It would be more like pulling sugar, where the liquid becomes solid as you lengthen it, and there would be no layers per se, but more of a crystalline lattice. This would account for the smoothness of the prints. It is also, to be fair, a complete guess on my part.

This change in the traditional stereolithography process apparently gives them a huge increase in speed, which is the key differentiator here. They appear to be able to print objects very, very fast. It also looks like they have the cash to research and develop it commercially, with both Silver Lake and Sequoia as backers.

So what does this mean for libraries? Honestly, not much for the moment. This particular technology could be very inexpensive to make…or, given the proprietary nature of the membrane and resin, it could be ridiculously expensive. The company hasn’t announced any pricing or even availability, so we really have no idea when it might be available. When it is, I’ll revisit and see what I think for libraries. For now, this is interesting, but just a news item.

By griffey

Jason Griffey is the Director of Strategic Initiatives at NISO, where he works to identify new areas of the information ecosystem where standards expertise is useful and needed. Prior to joining NISO in 2019, Jason ran his own technology consulting company for libraries, has been both an Affiliate at metaLAB and a Fellow and Affiliate at the Berkman Klein Center for Internet & Society at Harvard University, and was an academic librarian in roles ranging from reference and instruction to Head of IT at the University of TN at Chattanooga.

Jason has written extensively on technology and libraries, including multiple books and a series of full-periodical issues on technology topics, most recently AI & Machine Learning in Libraries and Library Spaces and Smart Buildings: Technology, Metrics, and Iterative Design from 2018. His newest book, co-authored with Jeffery Pomerantz, will be published by MIT Press in 2024.

He has spoken internationally on topics such as artificial intelligence & machine learning, the future of technology and libraries, decentralization and the Blockchain, privacy, copyright, and intellectual property. A full list of his publications and presentations can be found on his CV.
He is one of eight winners of the Knight Foundation News Challenge for Libraries for the Measure the Future project (http://measurethefuture.net), an open hardware project designed to provide actionable use metrics for library spaces. He is also the creator and director of The LibraryBox Project (http://librarybox.us), an open source portable digital file distribution system.

Jason can be stalked obsessively online, and spends his free time with his daughter Eliza, reading, obsessing over gadgets, and preparing for the inevitable zombie uprising.

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