Thanks to Jessamyn for directing me to lolbrarians.
That is all.
Wow. I’m not sure how I hadn’t heard of this film until today, but it looks like a Terry Gilliam film, and that’s a huge compliment from me. Guillermo does great stuff as well (Hellboy was great fun) and this looks like it could put him over the top for fantasy fanboys like myself. Add in that it’s set during Franco’s Spain, and this could be a favorite film of 2006. We’ll see in December.
Again: High Def trailer at Apple.
Oh hell yeah. Sandman, Goblin 2, Space Parasite suit, Venom, Gwen Stacy, AND a rumored cameo from Mysterio. I’m not sure which of the Marvel properties I think is better overall, but Spiderman 3 looks like it will be amazing.
High-def trailers at Apple.
Tarantino is back, and he brought Rodriguez with him.
Oh hell yeah.
Tom Savini and Zombies? Machete? Rose McGowen as a grindhouse dame? I’m so very, very there.
Twice in the last two months, I’ve found myself re-examining my Flickr account and my photos. I’ve had two instances of people wishing to use my some of my pictures for various things. One, a website about Sewanee, and the other a publication about the Immersion program.
All of my pictures are licensed under a Creative Commons Attribution-NonCommercial-ShareAlike license, and in both cases the first two criteria are fine for the uses. The Share-Alike is where stuff starts to break down…people seem unwilling to ensure that the resulting work is licensed in the same way. In some ways, it’s a sort of educational issue…most people are still not aware of Creative Commons.
So I’m torn. On one hand, I certainly do want people to use my photos. On the other, I also want to push the Creative Commons message, and requiring that the resulting works Share Alike is the right thing to do, I think.
Has anyone else dealt with this friction? How did you resolve it?
Another must-see film for those who might have missed this (I know I did until today)…Renaissance. This came out in France in March, and is just now making it over to the US.
In 2054, Paris is a labyrinth where all movement is monitored and recorded. Cut off from the world for its own protection, the city has nonetheless continued to expand. Now, 21st century skyscrapers overlay centuries-old architectural masterpieces. And below street level, a sophisticated network of streamlined plazas push up against the cityâ€™s ancient, deteriorating tunnel systems. Casting a shadow over everything is the cityâ€™s largest company, Avalon, which insinuates itself into every aspect of contemporary life to sell its primary export â€“ eternal youth and beauty. When 22-year-old Ilona (Romola Garai), one of Avalonâ€™s most promising scientists, is abruptly kidnapped, Avalon calls on BarthÃ©lÃ©my Karas (Daniel Craig), a Paris cop with a hard-fought reputation for finding anyone, no matter what sacrifices he has to make along the way. As the trail gets hot, Karas senses heâ€™s not the only one looking for the beautiful enigma, and every witness he digs up seems to turn up dead. To find Ilona and unlock the secs of her disappearance, Karas must plunge deep into the parallel worlds of corporate espionage, organized crime and genetic research â€“ where the truth imprisons whoever finds it first and miracles can be bought but at a great price.
Check out the new search from OCLC…Worldcat gets Googlized, and the results are pretty good. I absolutely adore the “refine your search” options that it gives you on the left bar…Now can we finally get rid of our local catalogs? Pretty Please?